Please note, that following the launch of a new CMC web site, our news section is now available at http://www.cmc.ie/news.
4 Things Your Choir Should Know About Before You Enter the City Of Derry International Choral Festival
Applications for the City of Derry International Choral Festival 2016 are opening this month – With so many things to consider before you sign your choir up for this exciting competition, here are four things you should know about before you apply to CODI Choral Festival (…or to any choral competition for that matter!)
- The Contemporary Music Centre Online Library
Explore our online library for some of the best contemporary choral music written by Irish composers. Browse by composer’s name or category to see sample pages and hear recordings.
The Contemporary Music Centre library, located at 19 Fishamble St., Temple Bar, Dublin 8, is also open to the public from Monday to Friday 10am – 5:30pm.
- CMC’s Choral Catalogue Series
The Contemporary Music Centre has made available three catalogues of choral works by Irish composers; Children’s and Female Voice Repertoire, Mixed Choir Repertoire and Christmas Repertoire. They have been selected by specialist curators with a comprehensive set of guidelines about each work and a full set of sample pages available within the catalogues.
Works are graded from easy to professional standard, and conductors can click through on the online PDFs to find out more about the works and listen to extracts.
‘Choirland’ is a collection of 15 pieces by Irish composers for unaccompanied mixed choir. The music ranges in difficulty from the simple to perform, to the more challenging. From arrangements of traditional melodies, new settings of familiar texts and strikingly original works, the selection encompasses a wide array of styles, which illustrate the diversity and vibrancy of Irish choral music. Each piece is presented with performance notes designed to aid conductors and singers alike, and the book includes a CD recording of the music by the National Chamber Choir of Ireland conducted by its Artistic Director Paul Hillier.
- The Contemporary Music Centre’s Special Prize
In partnership with the Contemporary Music Centre, The City of Derry International Choral Festival will present an award for the best performance of a piece by an Irish composer.
All choral works found in the Contemporary Music Centre’s online library are eligible for consideration. Works from the graded CMC Choral Catalogues are particularly recommended. A cash prize plus vouchers to redeem on choral works from the Contemporary Music Centre will be awarded to the winning choir.
Pictured above: Voci Nuove conducted by Lynsey Callaghan – winners of the Contemporary Music Centre Special Prize 2015 for their performance of Bagairt na Marbh by Michael Holohan.
Composers Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin selected to participate in the first Composer Lab
The RTÉ National Symphony Orchestra and the Contemporary Music Centre are pleased to announce Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin as the composers selected to participate in the first Composer Lab.
Composer Lab is a new pilot initiative aimed at composers registered with the Contemporary Music Centre who have had their work performed professionally but who have not yet had their work performed by a professional symphony orchestra. It will aim to provide them with a creative and open environment in which to deepen their understanding of writing for the forces of a full symphony orchestra.
With a current work-in-progress as the starting point, the process will involve a one-to-one mentoring session with David Fennessy, a public workshop session in April with David, the RTÉ National Symphony Orchestra and conductor Gavin Maloney in a performance and feedback role and, following a revision period, a public performance on Monday 16 May 2016 by the RTÉ National Symphony Orchestra and Gavin Maloney at the National Concert Hall. Details of the April workshop will be announced at a later date once the creative and collaborative process is fully underway.
Events This Week:
A concert of film music titled Minimal Film will feature music and visuals by Philip Glass, Michael Nyman, and the premiere of a suite of music for a documentary composed by concert curator Natasa Paulberg.
- 29 Jan, 7.30pm, Beckett Theatre, Trinity College Dublin
ConTempo’s next 20/20 Experience Tour concert includes a new string quartet by Jane O’Leary, who will give a pre-concert Composer’s Voice talk about the new work.
- 30 Jan, 1.15pm, Triskel Christchurch, Cork
- 31 Jan, Sundays@Noon, Dublin City Gallery The Hugh Lane, Dublin
- 27 Jan, 7pm, Little Museum of Dublin, Stephen’s Green, Dublin
- 30 Jan, 3pm, The Ark, Temple Bar, Dublin
Matthew Jacobson, dlr LexIcon Musician-in-Residence, will showcase the music he has been developing as part of his residency in duos with Linda Buckley and others
- 29/30 Jan, 8pm, dlr LexIcon, Dún Laoghaire, Dublin
A RTÉ Culture File feature interview with composer Dylan Rynhart on his work, Fuzzy Logic Ensemble, and Listen At the Bello Bar.
The next concert in the Ergodos Santa Rita series sees pianist Michael McHale perform music by Schubert alongside new works.
The concert will be the premiere of the ‘Schubert Project’ – like many projects from Ergodos, this explores the relationship of new music to past music by pairing existing works with new works composed in response to them. Directors Garrett Sholdice and Benedict Schlepper-Connolly, with Little Museum of Dublin curator and regular collaborator Simon O’Connor, have written new interludes to Schubert’s Opus 90 Impromptus. McHale will perform the full Opus 90 with these newly-composed interludes.
The concert will also see the launch of a new album of the Schubert Impromptus performed by Michael McHale on the Ergodos record label.
The Santa Rita concerts present music by leading performers in an intimate candlelit setting, the Little Museum of Dublin, where the audience can be close to the music, musicians and composers. The concert with Michael McHale takes place at 8pm on 27 Jan, preceded by a wine reception and talk with the performer, beginning at 7pm. Tickets cost €13 and are available from www.ergodos.ie.
Composer Jane O’Leary will give a Composer’s Voice talk about her work, the passing sound of forever, at a concert with ConTempo String Quartet on 30 January. Composer’s Voice is an initiative from CMC presenting composers giving talks and presenting their own works at concerts; past composers include Massimo Davi and Dylan Rynhart, both of which spoke about work at Listen at the Bello Bar events.
ConTempo are marking their 20th anniversary with a tour titled the 20/20 Experience Tour of twenty concerts featuring their twenty ‘recommended string quartets’ in venues in Dublin, Cork and Galway, many with additional guest performers. This concert will be the 3rd of 6 to take place in Cork’s Triskel Christchurch, and will feature Schubert’s Quartet no 14 in D minor D 810 “Death & the Maiden”, alongside the premiere of the new work by Jane O’Leary. The concert takes place on 30 January at 1.15pm, and is free entry.
This programme will be repeated at The Hugh Lane Gallery’s Sundays@Noon concert the following day. ConTempo String Quartet are the current RTÉ String Quartet in Residence; full details and dates of the 20/20 Experience Tour can be found on their page on the RTÉ website.
Composer Natasa Paulberg has curated a concert of film music by minimalist composers with visual accompaniment, called Minimal Film.
Paulberg is an Australia-born and Dublin-based composer with an interest in audiovisual and film music. She completed the MPhil in Music and Media Technologies at Trinity College Dublin, and attended the University of California Los Angeles Film Scoring programme. She has worked with a number of film composers, as well as composing music for short films and documentaries. The Minimal Film programme will include the premiere of a new suite of pieces written for the documentary Butterfly, directed by Stuart McLaughlin, which has featured at a number of prominent film festivals and events.
Also on the programme for the concert will be music by Michael Nyman (The Piano), Philip Glass (Mishima) and David Lang (Untitled), performed by Kirkos Ensemble, with visual extracts from the films, while David Bremner and Kian Geiselbrechtinger will perform further music by Philip Glass on two Fender Rhodes. On the Nature of Daylight by Max Richter from his The Blue Notebooks album, which has been featured in a number of films, will be accompanied by live improvised visuals from Derek Cosgrave and Alan Jacob of MIDASpaces.
The concert is supported by the Visual and Performing Arts Fund, Trinity College Dublin, and takes place on 29 Jan at 7.30pm at the Beckett Theatre. Tickets are available online, and booking is highly recommended.
Music Generation and the Contemporary Music Centre are working together to develop a mutual understanding of best practice in relation to composers engaging with children and young people in a performance music education context.
Composers, Music Generation musicians and those interested in working with composers in the context of performance music education across Ireland are invited to attend a ‘Best Practice Session’ on Tuesday, 2 February from 10am – 12.30pm.
The aim of the session is to learn more about the residency-type composition projects that Music Education Partnerships around the country are developing and to gain understanding about the work opportunities these projects present for composers.
A discussion will also take place with a view to drafting guidelines to clarify best practice in relation to Performance Music Education projects, as distinct from the more familiar commissioning process for adult and professional musicians.
The event will be held at the Contemporary Music Centre Library, 19 Fishamble Street, Temple Bar, Dublin 8 on Tuesday, 2 Feb from 10am – 12:30pm. Places are limited so booking is recommended. To book your place at the Best Practice Session, please email Leanne Fitzgerald on email@example.com.
The schedule for the morning is detailed below:
10.00am: Arrival and coffee
10.30am: Welcome – Karen Hennessy, Promotion and Development Manager,
The Contemporary Music Centre and Rosaleen Molloy, National Director, Music Generation
10.35am: Eve O’Kelly – Programme Manager, Music Generation/Arts Council Partnership
Overview – Engaging with children and young people in Performance Music Education contexts.
10.50am: Case Study One – Rhona McGrath (Coordinator, Music Generation Sligo) – Music Generation Sligo’s work with composer Brian Irvine
11.05am: Case Study Two – Elaine Agnew (Composer) – Music Generation Wicklow / Foundation Level Programme
11.20am: Chaired panel to discuss: Best Practice – The Way Forward: Pit falls / Experiences with Q & A
Contributors to include – Eve O’Kelly, Elaine Agnew, Rhona McGrath, Karen Hennessy
12.20pm: The Next Step – Drafting guidelines
Ahead of its premiere by the RTÉ National Symphony Orchestra on 22 January 2016 at the National Concert Hall, Raymond Deane talks about working on his new RTÉ commission, ‘The Alma Fragments’.
This update from the library features some of the works added to its collection during a two month period. In November and December, works from 26 different composers were added to the CMC online library catalogue. Selected works include:
John Buckley (1951-) Wind Quintet No. 2
Commissioned by Cassiopeia Winds with funding provided by the Arts Council / An Chomhairle Ealaíon.
Premiered by Cassiopeia Winds on 7 November 2015 at Birr Theatre and Arts Centre, Birr, Co. Offaly.
Watch a video of the CMC Salon featuring the work here
Greg Caffrey (1963-) In Search of a Human Dialogue
Premiered by Hard Rain SoloistEnsemble with director Greg Caffrey on 26 November 2014 at the CMC Salon, Kevin Barry Room, National Concert Hall, Dublin.
“The intention in writing this piece was to create a piece of chamber music in the truest sense; it is a piece that relies on all the players listening carefully to one another and a piece that requires a large degree of interaction within the group.”
Sean Clancy (1984-) Four Pieces of Music Lasting Thirty Seconds Each
Premiered by Xenia Pestova (pf [toy]) on 26 March 2015 at the Recital Hall, Birmingham Conservatoire, Birmingham, England.
Dedicated to the memory of Bob Gilmore.
Listen to this work on the composer’s SoundCloud page here
Benjamin Dwyer (1965-) Nocturnal, after Benjamin Britten
Premiered by Fidelio Trio on 11 October 2015 at London Chamber Music Society Concert, King’s Place, London, England.
“My new work for the Fidelio Trio entitled Nocturnal, after Benjamin Britten is, of course, inspired by Britten’s work for solo guitar – his famous Nocturnal, after John Dowland, Op. 70.”
Andrew Hamilton (1977-) Ros Tapestry Suite X: Hunt in the Forest of Ros
Commissioned by New Ross Piano Festival with funding provided by the Arts Council of Ireland / An Chomhairle Ealaíon.
Premiered by Alexei Grynyuk (pf) on 27 September 2015 at the New Ross Piano Festival, St. Mary’s Church, New Ross, Co. Wexford.
For more information about the Ros Tapestry project, visit http://www.rostapestry.com.
Marian Ingoldsby (1965-) Never Give All the Heart
Commissioned by Music Network with funding provided by the Arts Council / An Chomhairle Ealaíon.
Premiered by Benjamin Appl (Bar-solo) and Gary Matthewman (pf) on 15 November 2015 at Abbeystrewry Church, Skibbereen, Co. Cork.
The composer also gave a CMC Composers’ Voice talk at the premiere.
Ryan Molloy (1985-) Irish Suite
Premiered by Zoe Conway (fiddle) on 19 May 2015 at ICC The Strung Series, The Teacher’s Club, Dublin.
Listen to this work on the Irish Composers’ Collective SoundCloud page here
Ailís Ní Ríain Dubinina’s Tongue
RIAM Percussion Ensemble and Jim Royle Drum Studio US on 15 April 2015 at MusicTown: Drumming – 3 Day Percussion Extravaganza, Royal Irish Academy of Music, Dublin.
“The piece is dedicated to the memory of Ludmila Dubinina who died at Dyatlov Pass, in 1959 aged 21. The Dyatlov Pass incident was an event that resulted in the death of nine skiers north of the Ural mountains, Russia.”